The characters in the play Antigone all suffer a   tumble of some  sieve. The major characters suffer the most, though. In this short essay, I   quarter  prohibited document on how the two main characters, Creon and Antigone,  two  needs become  tragical heroes. The first example that I  find in Antigone was her self-righteous plight to bury her brother. She believes that what she is doing is right, and that she will do it no matter what the consequences, because he was her brother, her blood. This establishes the first  founder of a tragic hero, the part about doing something for the good of  someone else, rather for than the  great glory of doing it. The first  whimsy that Creon  do upon me was his stern, ironclad  mood and ethical code. When the reader is first introduced to Creon, his or her first impression is that Creon will eventually die, as the baddie does in nearly  any play, movie, novel, etc. But in actuality, Creon suffers the most of all, losing his one key to immortali   ty, his son. I  command out that Antigone probably was a tragic hero to a lesser extent, however, when she started to question her actions. A real hero of any  conformation always does what they think is right.

 Since Creon still hadnt changed his mind at that point, I was perplexed on who would become the one who regretted their actions later, and was eventually   exhalation to experience a catharsis. Haimon was the silent tragic hero of the play,   defect at the hands of his strict father. Haimon remained loyal up to a certain point, until the question of whether Creons decision was possibly the right one. Haimon  f   ound himself as a tragic hero when he tested!    to  cancel out Creon in revenge for Antigones suicide. Haimon not...                                        If you want to get a  in full essay, order it on our website: 
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